Mar. 1930

58-59

See the Biographical Timeline for biographical information on Winnifred Eaton.

Sydney Lines is a Ph.D. candidate in English at the University of British Columbia, Project Manager for the UBC Public Humanities Hub, and Project Manager of The Winnifred Eaton Archive. She is writing a dissertation called “Romancing the Empire: Race, Ethnicity, and Nationalism in the Writings of Winnifred Eaton and Laura Goodman Salverson.”

Mary Chapman is the Director of The Winnifred Eaton Archive, a Professor of English, and Academic Director of the Public Humanities Hub at University of British Columbia. She is the author of the award-winning monograph Making Noise, Making News: Suffrage Print Culture and US Modernism (Oxford UP) and of numerous articles about American literature and women writers. She has also edited Becoming Sui Sin Far: Early Fiction, Journalism and Travel Writing by Edith Maude Eaton (McGill-Queen’s UP) and published essays on the Eaton sisters in American Quarterly, MELUS, Legacy, Canadian Literature, and American Periodicals. Her current research project is a microhistory of the Eaton family. For more information, see http://faculty.arts.ubc.ca/mchapman/.

Joey Takeda is the Technical Director of The Winnifred Eaton Archive and a Developer at Simon Fraser University’s Digital Humanities Innovation Lab (DHIL). He is a graduate of the M.A. program in English at the University of British Columbia where he specialized in Indigenous and diasporic literature, science and technology studies, and the digital humanities.

Monthly periodical published in Louisville, Kentucky by Fawcett Publications. Magazine named Screen Secrets from 1928-1930. The earlier titles So this is—Paris and Paris and Hollywood screen secrets suggest the magazine’s broad scope.