<?xml version="1.0" encoding="UTF-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0" xml:id="pseudonyms">
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         <titleStmt>
            <title>Pseudonyms used by Winnifred Eaton</title>
            <respStmt>
               <resp>Author</resp>
               <name ref="#MC1">Mary Chapman</name>
            </respStmt>
            <respStmt>
               <resp>Author</resp>
               <name ref="#JLC1">Jean Lee Cole</name>
            </respStmt>
            <respStmt>
               <resp>Encoder</resp>
               <name ref="#JT1">Joey Takeda</name>
            </respStmt>
         </titleStmt>
         <publicationStmt>
            <p>See the <ref target="legal.xml">legal</ref> page for information about republication. The recommended citation for this document can be found below (in the standalone XML version).</p>
         <ab type="citations"><listBibl><bibl type="mla" n="MLA" xml:id="pseudonyms_citation_MLA"><author><name ref="people.xml#MC1">Chapman, Mary</name></author>, and <author><name ref="people.xml#JLC1">Jean Lee Cole</name></author>. <title level="a">Pseudonyms used by Winnifred Eaton</title>. <title level="m">The Winnifred Eaton Archive</title>, edited by <editor>Mary Chapman</editor> and <editor>Jean Lee Cole</editor>, <edition n="2.0">v. 2.0</edition>, <date when="2024-02-03">03 February 2024</date>, <ref target="https://winnifredeatonarchive.org/pseudonyms.html">https://winnifredeatonarchive.org/pseudonyms.html</ref>.</bibl></listBibl></ab></publicationStmt>
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            <p>Born digital.</p>
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         <change when="2019-07-06" who="#JT1" status="published">Created file.</change>
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               <persName>
                  <reg>Mary Chapman</reg>
                  <forename>Mary</forename>
                  <surname>Chapman</surname>
               </persName>
               <note>
                  <p>Mary Chapman is the Director of <title level="m">The Winnifred Eaton
                        Archive</title>, a Professor of English, and Academic Director of the Public
                     Humanities Hub at University of British Columbia. She is the author of the
                     award-winning monograph <title level="m"><ref target="https://global.oup.com/academic/product/making-noise-making-news-9780190634506">Making Noise, Making News: Suffrage Print Culture and US
                        Modernism</ref></title> (Oxford UP) and of numerous articles about American
                     literature and women writers. She has also edited <ref target="https://www.mqup.ca/becoming-sui-sin-far-products-9780773547223.php"><title level="m">Becoming Sui Sin Far: Early Fiction, Journalism and
                           Travel Writing by Edith Maude Eaton</title></ref> (McGill-Queen’s UP) and
                     published essays on the Eaton sisters in <title level="j">American
                        Quarterly</title>, <title level="j">MELUS</title>, <title level="j">Legacy</title>, <title level="j">Canadian Literature</title>, and <title level="j">American Periodicals</title>. Her current research project is a
                     microhistory of the Eaton family. For more information, see <ref target="http://faculty.arts.ubc.ca/mchapman/">http://faculty.arts.ubc.ca/mchapman/</ref>. </p>
               </note>
            </person><person xml:id="JLC1" copyOf="people.xml#JLC1">
               <persName>
                  <reg>Jean Lee Cole</reg>
                  <forename>Jean</forename>
                  <surname>Lee Cole</surname>
               </persName>
               <note><p>Jean Lee Cole is Senior Consultant on <title level="m">The Winnifred Eaton
                        Archive</title>, author of <title level="m">The Literary Voices of Winnifred
                        Eaton: Redefining Ethnicity and Authenticity</title> (2002), co-editor of
                        <title level="m">A Japanese Nightingale and Madame Butterfly: Two
                        Orientalist Texts</title> (2002, with Maureen Honey), and editor of the
                     original <title level="m">Winnifred Eaton Digital Archive</title> (2004). She
                     is Professor of English at Loyola University Maryland.</p></note>
            </person><person xml:id="JT1" copyOf="people.xml#JT1">
               <persName>
                  <reg>Joey Takeda</reg>
                  <forename>Joey</forename>
                  <surname>Takeda</surname>
               </persName>
               <note>
                  <p>Joey Takeda is the Technical Director of <title level="m">The Winnifred Eaton
                        Archive</title> and a Developer at Simon Fraser University’s <ref target="https://dhil.lib.sfu.ca">Digital Humanities Innovation Lab</ref>
                     (DHIL). He is a graduate of the M.A. program in English at the University of
                     British Columbia where he specialized in Indigenous and diasporic literature,
                     science and technology studies, and the digital humanities.</p>
               </note>
            </person></listPerson></body></text><text>
      <body>
         <head>Pseudonyms used by Winnifred Eaton</head>
         <div>
            <p>Winnifred Eaton may be better known today as Onoto Watanna, the <q>Japanese-sounding</q> pseudonym under which she wrote most popularly and most prolifically. But she experimented with several other authorial identities over the course of her career. Some, like Ellis Eaton, obscured her gender; others, like <q>Winnifred Eaton Reeve</q>, appeared to reflect the names under which she went about in Calgary society. Ironically, she published her most personal writings, <title level="m">Me</title> and <title level="m">Marion</title>, under no name at all. The variety and variations of Winnifred Eaton’s many names point to a writer who may have seen identity--or at least names--as fluid and ever-shifting.
            </p>
            <div><table><row role="label"><cell>Pseudonym</cell><cell role="sortkey">Uses</cell><cell>Documents by Date</cell></row><row><cell>W.e. Reeve</cell><cell>1</cell><cell><list><item>1924<list><item><ref target="EmptyYourHearts1.xml">Empty Your Hearts</ref></item></list></item></list></cell></row><row><cell>Ellis Eaton</cell><cell>1</cell><cell><list><item>1917<list><item><ref target="JohnAndI1.xml">John and I</ref></item></list></item></list></cell></row><row><cell>Onota Watanna</cell><cell>1</cell><cell><list><item>1923<list><item><ref target="WriterTells2.xml">How I Came to Write <title level="a">Cattle</title></ref></item></list></item></list></cell></row><row><cell>Kitishimi Tasha Hasche</cell><cell>1</cell><cell><list><item>1896<list><item><ref target="JapaneseGirl1.xml">A Japanese Girl</ref></item></list></item></list></cell></row><row><cell>Winifred Eaton Reeve</cell><cell>1</cell><cell><list><item>1925<list><item><ref target="HisRoyalNibs1.xml">His Royal Nibs</ref></item></list></item></list></cell></row><row><cell>Belle Reed</cell><cell>1</cell><cell><list><item>Undated<list><item><ref target="AsIWasSaying1.xml">As I Was Saying</ref></item></list></item></list></cell></row><row><cell>Mrs. Francis Reeve (onoto Watanna)</cell><cell>1</cell><cell><list><item>1921<list><item><ref target="WillardMack1.xml">Willard Mack to Collaborate With Mrs. Frances Reeve</ref></item></list></item></list></cell></row><row><cell>Onoto Wtanna</cell><cell>1</cell><cell><list><item>1931<list><item><ref target="HollywoodMelody1.xml">Hollywood Melody</ref></item></list></item></list></cell></row><row><cell>Mrs. Reeves</cell><cell>1</cell><cell><list><item>1924<list><item><ref target="AlbertaLandOfWork1.xml">Alberta, the Land of Work, is New Name Given to This Country by Calgary Author</ref></item></list></item></list></cell></row><row><cell>W.r.</cell><cell>1</cell><cell><list><item>1933<list><item><ref target="RedHeadedBoy1.xml">Red Headed Boy</ref></item></list></item></list></cell></row><row><cell>O. W</cell><cell>1</cell><cell><list><item>1922<list><item><ref target="TragedyWheatFields1.xml">A Tragedy of the Wheat Fields</ref></item></list></item></list></cell></row><row><cell>Mrs. Frances Reeve</cell><cell>1</cell><cell><list><item>1921<list><item><ref target="WillardMack1.xml">Willard Mack to Collaborate With Mrs. Frances Reeve</ref></item></list></item></list></cell></row><row><cell>W.e.r.</cell><cell>1</cell><cell><list><item>1924<list><item><ref target="ITookALadyForAWalk1.xml">I Took a Lady for a Walk</ref></item></list></item></list></cell></row><row><cell>Kitishima Tache Hasche</cell><cell>1</cell><cell><list><item>1896<list><item><ref target="JapaneseGirl1.xml">A Japanese Girl</ref></item></list></item></list></cell></row><row><cell>Onotowatanna</cell><cell>1</cell><cell><list><item>1921<list><item><ref target="WillardMack1.xml">Willard Mack to Collaborate With Mrs. Frances Reeve</ref></item></list></item></list></cell></row><row><cell>Winnifred Reeve (onoto Watanna)</cell><cell>1</cell><cell><list><item>1917<list><item><ref target="ToughGirl1.xml">Tough Girl</ref></item></list></item></list></cell></row><row><cell>Winnefred Reeve</cell><cell>1</cell><cell><list><item>1931<list><item><ref target="HollywoodMelody1.xml">Hollywood Melody</ref></item></list></item></list></cell></row><row><cell>Mrs. Winnifred Reeve</cell><cell>2</cell><cell><list><item>1924<list><item><ref target="LittleTheatreMovement1.xml">Little Theatre Movement Aims to Encourage Talent of Every Kind and Sort</ref></item><item><ref target="StatementByMrsWinnifredReeve1.xml">Statement</ref></item></list></item></list></cell></row><row><cell>Winnie Eaton</cell><cell>2</cell><cell><list><item>1894<list><item><ref target="PoorDevil1.xml">A Poor Devil</ref></item></list></item><item>1924<list><item><ref target="Vitriol1.xml">Vitriol</ref></item></list></item></list></cell></row><row><cell>Onoto Watanna (mrs. Winnifred Reeve)</cell><cell>2</cell><cell><list><item>1921<list><item><ref target="StarvingAndWriting3.xml">First Appearance in New York City</ref></item><item><ref target="StarvingAndWriting4.xml">Visiting New York</ref></item></list></item></list></cell></row><row><cell>Winnifred Eaton</cell><cell>2</cell><cell><list><item>1896<list><item><ref target="SneerNot1.xml">Sneer Not</ref></item></list></item><item>1901<list><item><ref target="ThreeLoves1.xml">Three Loves</ref></item></list></item></list></cell></row><row><cell>Mrs. Francis Reeve</cell><cell>3</cell><cell><list><item>1922<list><item><ref target="StarvingAndWriting2.xml">Hard Times in New York for Struggling Writers</ref></item></list></item><item>1924<list><item><ref target="AlbertaLandOfWork1.xml">Alberta, the Land of Work, is New Name Given to This Country by Calgary Author</ref></item><item><ref target="PlentyOfOpportunity1.xml">Plenty of Opportunity for Men in Alberta If They Will Go on the Land</ref></item></list></item></list></cell></row><row><cell>Mrs. Reeve</cell><cell>5</cell><cell><list><item>1918<list><item><ref target="MrsReeveReplies1.xml">Mrs. Reeve Replies</ref></item></list></item><item>1921<list><item><ref target="WillardMack1.xml">Willard Mack to Collaborate With Mrs. Frances Reeve</ref></item></list></item><item>1923<list><item><ref target="LiteratureAsProfession1.xml">[<q>Literature as a Profession</q>]</ref></item></list></item><item>1924<list><item><ref target="AlbertaLandOfWork1.xml">Alberta, the Land of Work, is New Name Given to This Country by Calgary Author</ref></item><item><ref target="LittleTheatreMovement1.xml">Little Theatre Movement Aims to Encourage Talent of Every Kind and Sort</ref></item></list></item></list></cell></row><row><cell>Winifred Reeve</cell><cell>6</cell><cell><list><item>1922<list><item><ref target="Memories1.xml">Memories</ref></item></list></item><item>1928<list><item><ref target="HonorableMovie1.xml">Honorable Movie Takee Sojin</ref></item></list></item><item>1929<list><item><ref target="CouldGetAnyWomansHusband1.xml">I Could Get Any Woman’s Husband!</ref></item><item><ref target="HowFrenchmenMakeLove1.xml">How Frenchmen Make Love</ref></item></list></item><item>1930<list><item><ref target="MovieMadness1.xml">Movie Madness [Part One]</ref></item><item><ref target="MovieMadness2.xml">Movie Madness [Part Two]</ref></item></list></item></list></cell></row><row><cell>The Author Of Me</cell><cell>8</cell><cell><list><item>1916<list><item><ref target="Marion2.xml">Marion (Part 1)</ref></item><item><ref target="Marion3.xml">Marion (Part 2)</ref></item><item><ref target="Marion4.xml">Marion (Part 3)</ref></item><item><ref target="Marion5.xml">Marion (Part 4)</ref></item><item><ref target="Marion6.xml">Marion (Part 5)</ref></item><item><ref target="Marion7.xml">Marion (Part 6)</ref></item><item><ref target="Marion8.xml">Marion (Part 7)</ref></item><item><ref target="Marion9.xml">Marion (Part 8)</ref></item></list></item></list></cell></row><row><cell>Winnifred Eaton Reeve</cell><cell>13</cell><cell><list><item>1919<list><item><ref target="Coyotes1.xml">Coyotes</ref></item></list></item><item>1923<list><item><ref target="WriterTells1.xml">Writer Tells How She Came to Write <title level="a">Cattle</title></ref></item><item><ref target="WriterTells2.xml">How I Came to Write <title level="a">Cattle</title></ref></item></list></item><item>1924<list><item><ref target="BooksLiteraryNotesCarman1.xml">Books, Literary Notes, etc [Bliss Carman]</ref></item><item><ref target="BooksLiteraryNotesLauriston1.xml">Books, Literary Notes, etc [Lauriston]</ref></item><item><ref target="CanadianAuthorsCarman1.xml">Canadian Authors [Carman]</ref></item><item><ref target="CanadianAuthorsDennison1.xml">Canadian Authors [Dennison]</ref></item><item><ref target="ElmerClifton1.xml">Elmer Clifton</ref></item><item><ref target="RoyalTitledRanchers1.xml">Royal and Titled Ranchers in Alberta</ref></item></list></item><item>1925<list><item><ref target="YouCantRunAway1.xml">You Can’t Run Away from Yourself</ref></item></list></item><item>1928<list><item><ref target="ButcheringBrains1.xml">Butchering Brains</ref></item></list></item><item>1929<list><item><ref target="WhatHappenedHayakawa1.xml">What Happened to Hayakawa</ref></item></list></item><item>1930<list><item><ref target="MovieMadness6.xml">Movie Madness [Fourth Instalment]</ref></item></list></item></list></cell></row><row><cell>Winnifred Reeve</cell><cell>29</cell><cell><list><item>1917<list><item><ref target="OregonTrail1.xml">Oregon Trail</ref></item><item><ref target="OtherWoman1.xml">The Other Woman</ref></item><item><ref target="WildRose1.xml">Wild Rose</ref></item></list></item><item>1918<list><item><ref target="MrsReeveReplies1.xml">Mrs. Reeve Replies</ref></item></list></item><item>1919<list><item><ref target="OtherPeoplesTroubles10.xml">Other People’s Troubles: An Antidote to Your Own [Part 10]</ref></item><item><ref target="OtherPeoplesTroubles11.xml">Other People’s Troubles: An Antidote to Your Own [Part 11]</ref></item><item><ref target="OtherPeoplesTroubles2.xml">Other People’s Troubles: An Antidote to Your Own [Part 2]</ref></item><item><ref target="OtherPeoplesTroubles3.xml">Other People’s Troubles: An Antidote to Your Own [Part 3]</ref></item><item><ref target="OtherPeoplesTroubles4.xml">Other People’s Troubles: An Antidote to Your Own [Part 4]</ref></item><item><ref target="OtherPeoplesTroubles5.xml">Other People’s Troubles: An Antidote to Your Own [Part 5]</ref></item><item><ref target="OtherPeoplesTroubles9.xml">Other People’s Troubles: An Antidote to Your Own [Part 9]</ref></item></list></item><item>1921<list><item><ref target="JohnnysCalf1.xml">Johnny’s Calf and Pa’s Cow</ref></item><item><ref target="PlainPig1.xml">Plain Pig</ref></item><item><ref target="SomeMotorists1.xml">Some Motorists Are Not as Popular with the Farmers as Many of Them Think</ref></item></list></item><item>1923<list><item><ref target="CanadianSpirit1.xml">The Canadian Spirit in our Literature</ref></item><item><ref target="CanadianSpirit2.xml">Canada’s Loss of Many Of Best Authors Proves Little Short of Calamity</ref></item><item><ref target="LiteratureAsProfession1.xml">[<q>Literature as a Profession</q>]</ref></item><item><ref target="SomeLesserKnown1.xml">Some Lesser Known Authors of Alberta</ref></item></list></item><item>1924<list><item><ref target="AlbertaLandOfWork1.xml">Alberta, the Land of Work, is New Name Given to This Country by Calgary Author</ref></item><item><ref target="ArtGalleryCalgary1.xml">An Art Gallery for Calgary</ref></item><item><ref target="Curves1.xml">Curves</ref></item><item><ref target="Protest1.xml">A Protest</ref></item></list></item><item>1927<list><item><ref target="Claw1.xml">The Claw</ref></item><item><ref target="RoseMarie1.xml">Rose Marie</ref></item></list></item><item>1929<list><item><ref target="BarbaryCoast2.xml">Barbary Coast Treatment</ref></item></list></item><item>1930<list><item><ref target="MovieMadness7.xml">Movie Madness [Fifth Instalment]</ref></item><item><ref target="Ropes1.xml">Ropes</ref></item></list></item><item>1931<list><item><ref target="HollywoodMelody1.xml">Hollywood Melody</ref></item></list></item><item>1936<list><item><ref target="SinsFathers1.xml">Sins of the Fathers</ref></item></list></item></list></cell></row><row><cell>Onoto Watanna</cell><cell>155</cell><cell><list><item>1896<list><item><ref target="JapaneseGirl1.xml">A Japanese Girl</ref></item></list></item><item>1897<list><item><ref target="JapaneseLoveStory1.xml">A Japanese Love Story</ref></item></list></item><item>1898<list><item><ref target="IntroLoveLyrics1.xml">Introduction to Frank Putnam’s <q>Love Lyrics</q></ref></item><item><ref target="Karo1.xml">Karo: A Story of Japanese Honor</ref></item><item><ref target="LiChingsBaby1.xml">Li Ching’s Baby</ref></item><item><ref target="NotANewWoman1.xml">[I am not a <q>new woman</q>]</ref></item><item><ref target="OjioSan1.xml">Ojio-San: A Noble’s Daughter</ref></item><item><ref target="OrientalHoliday1.xml">An Oriental Holiday</ref></item><item><ref target="PrinceSagaritsu1.xml">Prince Sagaritsu’s Patriotism: A Story of the Japo-Chinese War</ref></item><item><ref target="RhapsodyOnJapan1.xml">A Rhapsody on Japan</ref></item><item><ref target="TheHalfCaste1.xml">The Half Caste</ref></item></list></item><item>1899<list><item><ref target="AHalfCaste1.xml">A Half Caste</ref></item><item><ref target="GeishaGirl1.xml">The Geisha Girl is Primarily an Entertainer</ref></item><item><ref target="GeishaGirl2.xml">The Geisha Girl</ref></item><item><ref target="HisInterpreter1.xml">His Interpreter (Part 1)</ref></item><item><ref target="HisInterpreter2.xml">His Interpreter (Part 2)</ref></item><item><ref target="HisJapaneseTeacher1.xml">His Japanese Teacher</ref></item><item><ref target="HisWifesHusband1.xml">His Wife’s Husband</ref></item><item><ref target="LifeOfJapaneseGirl1.xml">The Life of a Japanese Girl</ref></item><item><ref target="MissNume1.xml">Miss Numè of Japan [Author Commentary]</ref></item><item><ref target="NatsuSanTeaHouseGirl1.xml">Natsu-San: A Japanese Tea House Girl</ref></item><item><ref target="PrayerForUnderstanding1.xml">A Prayer for Understanding</ref></item><item><ref target="ShizusNewYearsPresent1.xml">Shizu’s New Year’s Present</ref></item><item><ref target="StoryOfIdo1.xml">The Story of Ido: How a Japanese Half-Caste Came to His Own</ref></item><item><ref target="Taro1.xml">Taro</ref></item><item><ref target="WhereYoungLookForward1.xml">Where the Young Look Forward to Old Age</ref></item></list></item><item>1900<list><item><ref target="AmoyChineseGirl1.xml">Amoy, A Chinese Girl</ref></item><item><ref target="BetrothalOfOtoyo1.xml">The Betrothal of Otoyo</ref></item><item><ref target="Father1.xml">A Father</ref></item><item><ref target="HerJapaneseLover1.xml">Her Japanese Lover</ref></item><item><ref target="HorselessCarriage1.xml">The Horseless Carriage of Japan</ref></item><item><ref target="NewYearsDay1.xml">New Year’s Day in Japan</ref></item><item><ref target="OldJinrikisha1.xml">The Old Jinrikisha (Part 1)</ref></item><item><ref target="OldJinrikisha2.xml">The Old Jinrikisha (Part 2)</ref></item><item><ref target="OldJinrikisha3.xml">The Old Jinrikisha (Part 3)</ref></item><item><ref target="OldJinrikisha4.xml">The Old Jinrikisha (Part 4)</ref></item><item><ref target="OldJinrikisha5.xml">The Old Jinrikisha (Part 5)</ref></item><item><ref target="OldJinrikisha6.xml">The Old Jinrikisha (Part 6)</ref></item><item><ref target="OldJinrikisha7.xml">The Old Jinrikisha (Part 7)</ref></item><item><ref target="OldJinrikisha8.xml">The Old Jinrikisha (Part 8)</ref></item><item><ref target="OldJinrikisha9.xml">The Old Jinrikisha (Part 9)</ref></item><item><ref target="WickednessOfMatsu1.xml">The Wickedness of Matsu</ref></item></list></item><item>1901<list><item><ref target="HomeSocialLife1.xml">Home and Social Life of the Japanese</ref></item><item><ref target="JapaneseNightingale1.xml">A Japanese Nightingale (Chapters 1-2)</ref></item><item><ref target="JapaneseNightingale2.xml">A Japanese Nightingale (Chapters 3-4)</ref></item><item><ref target="JapaneseNightingale3.xml">A Japanese Nightingale (Chapters 5-7)</ref></item><item><ref target="JapaneseNightingale4.xml">A Japanese Nightingale (Chapters 8-9)</ref></item><item><ref target="JapaneseNightingale5.xml">A Japanese Nightingale (Chapters 10-12)</ref></item><item><ref target="JapaneseNightingale6.xml">A Japanese Nightingale</ref></item><item><ref target="KirishimaSan1.xml">Kirishima-san</ref></item><item><ref target="Margot1.xml">Margot</ref></item><item><ref target="TwoConverts1.xml">Two Converts</ref></item></list></item><item>1902<list><item><ref target="BrideOfYonejiro1.xml">The Bride of Yonejiro</ref></item><item><ref target="Contract1.xml">A Contract</ref></item><item><ref target="CountOgurisQuest1.xml">Count Oguri’s Quest</ref></item><item><ref target="EyesThatSawNot1.xml">Eyes That Saw Not</ref></item><item><ref target="HappyLot1.xml">The Happy Lot of Japanese Women.</ref></item><item><ref target="HomeLifeJapaneseWoman1.xml">Home Life of the Japanese Woman</ref></item><item><ref target="JapaneseAmericanLoveStory1.xml">A Japanese American Love Story</ref></item><item><ref target="JapaneseDrama1.xml">The Japanese Drama and the Actor</ref></item><item><ref target="LoveOfGeishaGirl1.xml">The Love of a Geisha Girl</ref></item><item><ref target="MissPerfume1.xml">Miss Perfume</ref></item><item><ref target="NatsuSan1.xml">Natsu-san</ref></item><item><ref target="PotOfPaint1.xml">The Pot of Paint</ref></item><item><ref target="ThreeLoves2.xml">Three Loves [Reprint]</ref></item><item><ref target="WifeOfShimadzu1.xml">The Wife of Shimadzu</ref></item><item><ref target="WooingOfWistaria14.xml">The Wooing of Wistaria</ref></item><item><ref target="YoshidaYoneLover1.xml">Yoshida Yone, Lover</ref></item></list></item><item>1903<list><item><ref target="CottageInMatsushima1.xml">A Cottage in Matsushima</ref></item><item><ref target="DiaryOfDewdrop1.xml">The Diary of Dewdrop</ref></item><item><ref target="FlightOfHyacinth1.xml">The Flight of Hyacinth</ref></item><item><ref target="JapaneseInNewYork1.xml">The Japanese in New York</ref></item><item><ref target="LovesOfSakuraJiro1.xml">The Loves of Sakura Jiro and the Three Headed Maid</ref></item><item><ref target="MissLily1.xml">Miss Lily and Miss Chrysanthemum</ref></item></list></item><item>1904<list><item><ref target="EverydayLifeInJapan1.xml">Every-day Life in Japan</ref></item><item><ref target="JapaneseWarNews1.xml">Japanese War News by Word O’ Mouth</ref></item><item><ref target="JapaneseWomenTrain1.xml">Japanese Women Train their Babes from Infancy</ref></item><item><ref target="LoveOfAzalea1.xml">The Love of Azalea (Part 1)</ref></item><item><ref target="LoveOfAzalea2.xml">The Love of Azalea (Part 2)</ref></item><item><ref target="LoveOfAzalea3.xml">The Love of Azalea (Part 3)</ref></item><item><ref target="LoveOfAzalea4.xml">The Love of Azalea</ref></item><item><ref target="MarvelousMiniature1.xml">The Marvelous Miniature Trees of Japan</ref></item></list></item><item>1905<list><item><ref target="WooingOfWistaria3.xml">The Wooing of Wistaria (Chapters 7-9)</ref></item><item><ref target="WooingOfWistaria4.xml">The Wooing of Wistaria (Chapters 10-12)</ref></item></list></item><item>1906<list><item><ref target="JapaneseBlossom1.xml">A Japanese Blossom</ref></item><item><ref target="LittleGeisha1.xml">The Little Geisha</ref></item><item><ref target="OchikaSan1.xml">Ochika-San</ref></item><item><ref target="WooingOfWistaria10.xml">The Wooing of Wistaria (Chapters 30-33)</ref></item><item><ref target="WooingOfWistaria11.xml">The Wooing of Wistaria (Chapters 34-37)</ref></item><item><ref target="WooingOfWistaria12.xml">The Wooing of Wistaria (Chapters 37-39)</ref></item><item><ref target="WooingOfWistaria13.xml">The Wooing of Wistaria (Chapters 39-42)</ref></item><item><ref target="WooingOfWistaria5.xml">The Wooing of Wistaria (Chapters 13-16)</ref></item><item><ref target="WooingOfWistaria6.xml">The Wooing of Wistaria (Chapters 16-19)</ref></item><item><ref target="WooingOfWistaria7.xml">The Wooing of Wistaria (Chapters 19-22)</ref></item><item><ref target="WooingOfWistaria8.xml">The Wooing of Wistaria (Chapters 23-26)</ref></item><item><ref target="WooingOfWistaria9.xml">The Wooing of Wistaria (Chapters 26-29)</ref></item><item><ref target="WrenchOfChance1.xml">The Wrench of Chance (Part 1)</ref></item><item><ref target="WrenchOfChance2.xml">The Wrench of Chance (Part 2)</ref></item></list></item><item>1907<list><item><ref target="DiaryOfDelia1.xml">The Diary of Delia (Part 1)</ref></item><item><ref target="DiaryOfDelia2.xml">The Diary of Delia (Part 2)</ref></item><item><ref target="DiaryOfDelia3.xml">The Diary of Delia (Part 3)</ref></item><item><ref target="DiaryOfDelia4.xml">The Diary of Delia (Part 4)</ref></item><item><ref target="JapaneseInAmerica1.xml">The Japanese in America</ref></item></list></item><item>1908<list><item><ref target="DeliaDissents1.xml">Delia Dissents</ref></item><item><ref target="Manoeuvres1.xml">The Manoeuvres of O-Yasu-san</ref></item><item><ref target="NeighborsGarden1.xml">A Neighbor’s Garden, My Own, and a Dream One (Part 1)</ref></item><item><ref target="NeighborsGarden2.xml">A Neighbor’s Garden, My Own, and a Dream One (Part 2)</ref></item></list></item><item>1909<list><item><ref target="DaughterTwoLands1.xml">A Daughter of Two Lands</ref></item><item><ref target="UnexpectedGrandchild1.xml">An Unexpected Grandchild</ref></item></list></item><item>1910<list><item><ref target="MarriageOkikuSan1.xml">The Marriage of Okiku-San</ref></item></list></item><item>1911<list><item><ref target="MarriageOkikuSan2.xml">The Marriage of Okiku-San (Reprint)</ref></item><item><ref target="Tokiwa1.xml">Tokiwa: A Tale of Old Japan</ref></item><item><ref target="VisitingMlleButterfly1.xml">Visiting Mlle. Butterfly</ref></item></list></item><item>1912<list><item><ref target="HonorableMissMoonlight1.xml">The Honorable Miss Moonlight</ref></item><item><ref target="MarriageOfJinyo1.xml">The Marriage of Jinyo</ref></item></list></item><item>1914<list><item><ref target="ChineseJapaneseCookbook1.xml">Chinese-Japanese Cookbook</ref></item><item><ref target="JapanWillNot1.xml">Japan Will Not Go To War</ref></item><item><ref target="Kiss1.xml">A Kiss</ref></item></list></item><item>1915<list><item><ref target="MissSpringMorning1.xml">Miss Spring-Morning</ref></item></list></item><item>1919<list><item><ref target="LendMeYourTitle1.xml">Lend Me Your Title (Part One)</ref></item><item><ref target="LendMeYourTitle2.xml">Lend Me Your Title (Part Two)</ref></item><item><ref target="OtherPeoplesTroubles10.xml">Other People’s Troubles: An Antidote to Your Own [Part 10]</ref></item><item><ref target="OtherPeoplesTroubles11.xml">Other People’s Troubles: An Antidote to Your Own [Part 11]</ref></item><item><ref target="OtherPeoplesTroubles2.xml">Other People’s Troubles: An Antidote to Your Own [Part 2]</ref></item><item><ref target="OtherPeoplesTroubles3.xml">Other People’s Troubles: An Antidote to Your Own [Part 3]</ref></item><item><ref target="OtherPeoplesTroubles4.xml">Other People’s Troubles: An Antidote to Your Own [Part 4]</ref></item><item><ref target="OtherPeoplesTroubles5.xml">Other People’s Troubles: An Antidote to Your Own [Part 5]</ref></item><item><ref target="OtherPeoplesTroubles9.xml">Other People’s Troubles: An Antidote to Your Own [Part 9]</ref></item></list></item><item>1920<list><item><ref target="Sinners1.xml">Sinners [Part One]</ref></item></list></item><item>1921<list><item><ref target="SomeMotorists1.xml">Some Motorists Are Not as Popular with the Farmers as Many of Them Think</ref></item><item><ref target="StarvingAndWriting5.xml">My First Appearance in New York City</ref></item></list></item><item>1922<list><item><ref target="LittleJournalMissSpring1.xml">The Little Journal of Miss Spring</ref></item><item><ref target="Memories1.xml">Memories</ref></item><item><ref target="StarvingAndWriting1.xml">Starving and Writing in New York</ref></item><item><ref target="StarvingAndWriting2.xml">Hard Times in New York for Struggling Writers</ref></item><item><ref target="SunnySan2.xml">Sunny-San [Part 4]</ref></item><item><ref target="SunnySan3.xml">Sunny-San [Part 1]</ref></item><item><ref target="SunnySan4.xml">Sunny-San [Part 2]</ref></item><item><ref target="SunnySan5.xml">Sunny-San [Part 3]</ref></item><item><ref target="SunnySan6.xml">Sunny-San [Part 5]</ref></item><item><ref target="SunnySan7.xml">Sunny-San [Part 6]</ref></item></list></item><item>1923<list><item><ref target="CanadianSpirit1.xml">The Canadian Spirit in our Literature</ref></item><item><ref target="CanadianSpirit2.xml">Canada’s Loss of Many Of Best Authors Proves Little Short of Calamity</ref></item><item><ref target="Cattle2.xml">Cattle</ref></item><item><ref target="Elspeth1.xml">Elspeth</ref></item><item><ref target="WriterTells1.xml">Writer Tells How She Came to Write <title level="a">Cattle</title></ref></item></list></item><item>1924<list><item><ref target="AlbertaLandOfWork1.xml">Alberta, the Land of Work, is New Name Given to This Country by Calgary Author</ref></item><item><ref target="Canada1.xml">Canada</ref></item><item><ref target="Protest1.xml">A Protest</ref></item><item><ref target="TheBride1.xml">The Bride</ref></item></list></item><item>1928<list><item><ref target="ButcheringBrains1.xml">Butchering Brains</ref></item><item><ref target="HonorableMovie1.xml">Honorable Movie Takee Sojin</ref></item></list></item><item>1929<list><item><ref target="CouldGetAnyWomansHusband1.xml">I Could Get Any Woman’s Husband!</ref></item><item><ref target="WhatHappenedHayakawa1.xml">What Happened to Hayakawa</ref></item></list></item><item>1931<list><item><ref target="HollywoodMelody1.xml">Hollywood Melody</ref></item></list></item></list></cell></row></table></div>
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