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            <title>Other People’s Troubles: An Antidote to Your Own [Part 9]</title>
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               <resp>Transcriber</resp>
               <name ref="#SC1">Sijia Cheng</name>
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               <name ref="#SC1">Sijia Cheng</name>
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         <ab type="citations"><listBibl><bibl type="mla" n="MLA" xml:id="OtherPeoplesTroubles9_citation_MLA"><author><name ref="people.xml#WE1">Watanna, Onoto</name></author>.
                     <title level="m">Other People’s Troubles: An Antidote to Your Own [Part
                     9]</title>. <publisher ref="organizations.xml#Farm"><title level="j">Farm and Ranch
                        Review</title></publisher>, <date when="1919-07-05">5 July 1919</date>, p.
                     <biblScope unit="page">747</biblScope>. <title level="m">The Winnifred Eaton Archive</title>, edited by <editor>Mary Chapman</editor> and <editor>Jean Lee Cole</editor>, <edition n="2.0">v. 2.0</edition>, <date when="2024-02-03">03 February 2024</date>, <ref target="https://winnifredeatonarchive.org/OtherPeoplesTroubles9.html">https://winnifredeatonarchive.org/OtherPeoplesTroubles9.html</ref>.</bibl></listBibl></ab></publicationStmt>
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                     <bibl xml:id="bibl112"><author><name ref="#WE1">Watanna, Onoto</name></author>.
                     <title level="m">Other People’s Troubles: An Antidote to Your Own [Part
                     9]</title>. <publisher ref="#Farm"><title level="j">Farm and Ranch
                        Review</title></publisher>, <date when="1919-07-05">5 July 1919</date>, p.
                     <biblScope unit="page">747</biblScope>.</bibl>
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                        <p>Facsimile from University of Saskatchewan Library</p>
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               <persName>
                  <reg>Sijia Cheng</reg>
                  <forename>Sijia</forename>
                  <surname>Cheng</surname>
               </persName>

               <note><p>Sijia Cheng completed an MA student in English Language and Literatures at the University of British Columbia and was a research assistant for <title level="m">The Winnifred Eaton Archive</title>. Her research focuses primarily on Asian Canadian literature and queer theory.</p></note>

               <note><p>Sijia Cheng is an MA student in English Language and Literatures at the
                     University of British Columbia and a research assistant for <title level="m">The Winnifred Eaton Archive</title>. Her research focuses primarily on
                     Asian Canadian literature and queer theory.</p></note>
            </person><person xml:id="WE1" copyOf="people.xml#WE1">
               <persName>
                  <reg>Winnifred Eaton</reg>
                  <forename>Winnifred</forename>
                  <surname>Eaton</surname>
               </persName>
               <birth when="1875-08-21"/>
               <death when="1954-04-08"/>
               <note>
                  <p>See the <ref target="timeline.xml">Biographical Timeline</ref> for biographical
                     information on Winnifred Eaton.</p>
               </note>
            </person><person xml:id="JT1" copyOf="people.xml#JT1">
               <persName>
                  <reg>Joey Takeda</reg>
                  <forename>Joey</forename>
                  <surname>Takeda</surname>
               </persName>
               <note>
                  <p>Joey Takeda is the Technical Director of <title level="m">The Winnifred Eaton
                        Archive</title> and a Developer at Simon Fraser University’s <ref target="https://dhil.lib.sfu.ca">Digital Humanities Innovation Lab</ref>
                     (DHIL). He is a graduate of the M.A. program in English at the University of
                     British Columbia where he specialized in Indigenous and diasporic literature,
                     science and technology studies, and the digital humanities.</p>
               </note>
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               <persName>
                  <reg>Sydney Lines</reg>
                  <forename>Sydney</forename>
                  <surname>Lines</surname>
               </persName>
               <note><p>Sydney Lines is a Ph.D. candidate in English at the University of British
                     Columbia and Project Manager of <title level="m">The Winnifred
                        Eaton Archive</title>. She is writing a dissertation on Winnifred Eaton
                        and Laura Goodman Salverson.</p></note>
            </person><person xml:id="MC1" copyOf="people.xml#MC1">
               <persName>
                  <reg>Mary Chapman</reg>
                  <forename>Mary</forename>
                  <surname>Chapman</surname>
               </persName>
               <note>
                  <p>Mary Chapman is the Director of <title level="m">The Winnifred Eaton
                        Archive</title>, a Professor of English, and Academic Director of the Public
                     Humanities Hub at University of British Columbia. She is the author of the
                     award-winning monograph <title level="m"><ref target="https://global.oup.com/academic/product/making-noise-making-news-9780190634506">Making Noise, Making News: Suffrage Print Culture and US
                        Modernism</ref></title> (Oxford UP) and of numerous articles about American
                     literature and women writers. She has also edited <ref target="https://www.mqup.ca/becoming-sui-sin-far-products-9780773547223.php"><title level="m">Becoming Sui Sin Far: Early Fiction, Journalism and
                           Travel Writing by Edith Maude Eaton</title></ref> (McGill-Queen’s UP) and
                     published essays on the Eaton sisters in <title level="j">American
                        Quarterly</title>, <title level="j">MELUS</title>, <title level="j">Legacy</title>, <title level="j">Canadian Literature</title>, and <title level="j">American Periodicals</title>. Her current research project is a
                     microhistory of the Eaton family. For more information, see <ref target="http://faculty.arts.ubc.ca/mchapman/">http://faculty.arts.ubc.ca/mchapman/</ref>. </p>
               </note>
            </person></listPerson><listOrg><org xml:id="Farm" resp="people.xml#SB2" copyOf="organizations.xml#Farm">
               <orgName>Farm and Ranch Review</orgName>
               <note><p>Popular and respected Calgary-based monthly periodical focused on Western-Canadian agriculture foundd by Malcolm Geddes, E. L. Richardson, and C. W. Peterson in 1904 and in print from 1905-1966. Tied to the Country Life Movement.</p></note>
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               <head>Other People’s Troubles</head>
               <head type="subtitle">An Antidote for Your Own [Part 9]</head>
               <opener>
                  <byline>By <name key="Winnifred Reeve" ref="#WE1">Winnifred Reeve</name> (<name key="Onoto Watanna" ref="#WE1">Onoto
                     Watanna</name>)</byline>
                  <note>Author of <q>A Japanese Nightingale</q>, <q>Heart of Hyacinth</q>,
                     <q>Wisteria</q>, <q>Marion</q>, <q>Me</q>, etc., etc.</note>
               </opener>
               <div type="paratext">
              
               <p>Synopsis:— <q>Other People’s Troubles</q> is the new type of a continued story
                  wherein each episode is a complete story itself, but the whole is connected
                  through the central figure of Dr. Carpenter, a very fine character, who believes
                  that to get interested in other people’s troubles is the best cure for your own.
                  His niece, Laura, was jilted on her wedding day by a man who also ap­propriated
                  her brother’s invention. Felix Holt, a lawyer, accused of killing his wife’s
                  lover, but acquitted on trial, has consented to handle Laura’s court proceedings,
                  although since his own trouble he has lived the life of a recluse, and given up
                  his profession. The doctor’s last patient suffers from insomnia brought on by
                  <choice><sic>minsunderstanding</sic><corr>misunderstanding</corr></choice> of his wife’s interest in up-to-date women’s affairs.</p>
            </div>
               <div type="content">
               <p><q>We—el, the fact is, you see I’m to read a paper on—well never mind the
                     subject—and the fact is, I’ve never spoken before in public and it makes my
                     teeth chatter and my knees feel wobbly just to think of it even. Mrs. Green-law
                     said if I just swallowed one big mouthful of whiskey before going on that that
                     would give me all the nerve and brass I want; but I’m dreadfully afraid it—it
                     might have some other effect you know, because Dick’s been such a tyrant and
                     never let me take even a sip of any sort of liquor. So I thought maybe you
                     would give me some sort of pill or medicine to take that would serve the same
                     purpose</q>.</p>
               <p><q>What sort of pill—or medicine?</q> inquired the doctor suspiciously.</p>
               <p><q>Why you ought to know. Any sort—some nerve soother, I suppose</q>.</p>
               <p><q>I’m surprised at you, Mrs. Jones</q>, said the doctor sternly.</p>
               <p>She sat up straightly, her babyish face looking very startled and injured.</p>
               <p><q>A nice, respectable little woman like you, making such an indecent request of
                     your old doctor friend. I’m ashamed of you</q>.</p>
               <p><q>Why d—doctor, what do you mean?</q></p>
               <p><q>So you want deliberately to culti­vate the drug habit as well as the cigarette
                     habit, do you?</q></p>
               <p>She turned scarlet, and tore the glove from her hand.</p>
               <p><q>I haven’t the habit</q>, said she. <q>There, you can see by my hands; Nellie
                     Streeter’s are yellow with nico­tine, but I just pretend to smoke them. I
                     really hate them. They’re horrid and chokey, but it’s the thing to-day, just
                     the same, and everybody does it, and anyhow, I’m not going to be laugh­ed at by
                     my friends for being behind the times</q>.</p>
               <p>She stopped breathlessly, and bit her underlip. One little shining tear had
                  escaped and hung glistening against the complexion veil. She looked so oddly like
                  a naughty little girl that the doctor unconsciously smiled.</p>
               <p><q>Gerty</q>, said he gently, <q>if I didn’t know you so well, I wouldn’t bother
                     to scold you; but you know, this time, you’re in the wrong</q>.</p>
               <p><q>Of course, you’ll say that, being a man yourself. But if you knew how I had my
                  sex’s real good at heart! I don’t know why Dick is so ugly about it. Other men let
                  their wives do as they wish, and are proud of them too</q>.</p>
               <p><q>Then what more do you want?</q></p>
               <p><q>To vote</q> said she crossly. <q>Now really doctor, just between ourselves,
                     don’t you believe in woman’s suf­frage?</q></p>
               <p>The doctor straightened up as stiffly as a little manikin, and regarded the lady
                  sternly.</p>
               <p><q>Certainly not!</q> said he firmly.</p>
               <p><q>After that, I’m going</q>, said she, angrily. <q>No, you needn’t trouble about
                     your old prescription. I might’ve known I’d get no sympathy from a man!</q></p>
               <p><q>But you didn’t tell me you wanted! sympathy</q>.</p>
               <p><q>Well, I did</q>, said she pouting charmingly. <q>All your patients do, and you
                     know it. I want someone to know how hard I’ve worked, how I’ve j—just labored
                     for the cause, and——</q> she threw out her hands expressively, <q>and what do I
                     get for it? When I creep home, dead tired out, and in actual need of sympathy,
                     yes, tired out to the teeniest bone in any body, and needing to be cherished
                     and cared for same as he promised to do, when we were married, what do I get?
                     The awfullest black looks and snarls and sulks and sometimes the most terrible
                     swear words, right in my own—in our our own home. Why it’s just terrible to be
                     treated like this</q>.</p>
               <p><q>Alt</q>, said the doctor slyly, <q>think how much better you fare than women
                     did in the past. Why, if you’d gadded around in this fashion in your
                     grand­mother’s day, they’d have doused you for a witch or tied you to the
                     switch­ing post</q>.</p>
               <p><q>I’d like to see them</q>, snorted the little lady indignantly. <q>And besides
                     we don’t live in those unenlightened days anyhow, and men have to know it.
                     You’ve got to treat us now as—as —well, as—equals!</q></p>
               <p><q>And we’ve been treating you as—superiors</q>, said the doctor softly. <q>It’s
                     quite a come down, little woman</q>.</p>
               <p>Irresolutely she stood a moment, then with a little break in her voice, she said:
                     <q>He used to treat me as if, well, as if I were a queen—an angel, but
                     now——</q>. she sobbed wrathfully.</p>
               <p><q>Now he’s found you out</q>, said the doctor relentlessly. <q>Console yourself
                     woman. You are better off than others. Mrs. Cuthbert’s husband flew from her
                     new ambitious charms into the frail, but wiser arms of a chorus girl, and Pat
                     O’Grady cuffed his Kathleen Mavourn­een across the ears when she came home late
                     from her first suffrage meeting and her last. Dick’s been pretty patient, all
                     things considered, and I think you’ll find he’s not. such an enemy of your sex
                     as you fancy</q>.</p>
               <p><q>He’s not! Well, you’ve never heard him talk!</q></p>
                  <p><q>——to you! Oh well, men talk for exercise, to provoke argument</q>.<note type="editorial" resp="#SC1">No closing quotation mark in original.</note> </p>
               </div>
               <div>
                  <p>(To be continued)</p>
            </div>
         
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