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            <title>Other People’s Troubles: An Antidote to Your Own [Part 5]</title>
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               <resp>Transcriber</resp>
               <name ref="#SC1">Sijia Cheng</name>
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               <name ref="#SC1">Sijia Cheng</name>
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         <ab type="citations"><listBibl><bibl type="mla" n="MLA" xml:id="OtherPeoplesTroubles5_citation_MLA"><author><name ref="people.xml#WE1">Watanna, Onoto</name></author>.
                     <title level="m">Other People’s Troubles: An Antidote to Your Own [Part
                     5]</title>. <publisher ref="organizations.xml#Farm"><title level="j">Farm and Ranch
                        Review</title></publisher>, <date when="1919-04-21">21 Apr. 1919</date>,
                  486. <title level="m">The Winnifred Eaton Archive</title>, edited by <editor>Mary Chapman</editor> and <editor>Jean Lee Cole</editor>, <edition n="2.0">v. 2.0</edition>, <date when="2024-02-03">03 February 2024</date>, <ref target="https://winnifredeatonarchive.org/OtherPeoplesTroubles5.html">https://winnifredeatonarchive.org/OtherPeoplesTroubles5.html</ref>.</bibl></listBibl></ab></publicationStmt>
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                     <bibl xml:id="bibl108"><author><name ref="#WE1">Watanna, Onoto</name></author>.
                     <title level="m">Other People’s Troubles: An Antidote to Your Own [Part
                     5]</title>. <publisher ref="#Farm"><title level="j">Farm and Ranch
                        Review</title></publisher>, <date when="1919-04-21">21 Apr. 1919</date>,
                  486.</bibl>
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                        <p>Facsimile from University of Saskatchewan Library</p>
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               <persName>
                  <reg>Sijia Cheng</reg>
                  <forename>Sijia</forename>
                  <surname>Cheng</surname>
               </persName>

               <note><p>Sijia Cheng completed an MA student in English Language and Literatures at the University of British Columbia and was a research assistant for <title level="m">The Winnifred Eaton Archive</title>. Her research focuses primarily on Asian Canadian literature and queer theory.</p></note>

               <note><p>Sijia Cheng is an MA student in English Language and Literatures at the
                     University of British Columbia and a research assistant for <title level="m">The Winnifred Eaton Archive</title>. Her research focuses primarily on
                     Asian Canadian literature and queer theory.</p></note>
            </person><person xml:id="WE1" copyOf="people.xml#WE1">
               <persName>
                  <reg>Winnifred Eaton</reg>
                  <forename>Winnifred</forename>
                  <surname>Eaton</surname>
               </persName>
               <birth when="1875-08-21"/>
               <death when="1954-04-08"/>
               <note>
                  <p>See the <ref target="timeline.xml">Biographical Timeline</ref> for biographical
                     information on Winnifred Eaton.</p>
               </note>
            </person><person xml:id="JT1" copyOf="people.xml#JT1">
               <persName>
                  <reg>Joey Takeda</reg>
                  <forename>Joey</forename>
                  <surname>Takeda</surname>
               </persName>
               <note>
                  <p>Joey Takeda is the Technical Director of <title level="m">The Winnifred Eaton
                        Archive</title> and a Developer at Simon Fraser University’s <ref target="https://dhil.lib.sfu.ca">Digital Humanities Innovation Lab</ref>
                     (DHIL). He is a graduate of the M.A. program in English at the University of
                     British Columbia where he specialized in Indigenous and diasporic literature,
                     science and technology studies, and the digital humanities.</p>
               </note>
            </person><person xml:id="SL1" copyOf="people.xml#SL1">
               <persName>
                  <reg>Sydney Lines</reg>
                  <forename>Sydney</forename>
                  <surname>Lines</surname>
               </persName>
               <note><p>Sydney Lines is a Ph.D. candidate in English at the University of British
                     Columbia and Project Manager of <title level="m">The Winnifred
                        Eaton Archive</title>. She is writing a dissertation on Winnifred Eaton
                        and Laura Goodman Salverson.</p></note>
            </person><person xml:id="MC1" copyOf="people.xml#MC1">
               <persName>
                  <reg>Mary Chapman</reg>
                  <forename>Mary</forename>
                  <surname>Chapman</surname>
               </persName>
               <note>
                  <p>Mary Chapman is the Director of <title level="m">The Winnifred Eaton
                        Archive</title>, a Professor of English, and Academic Director of the Public
                     Humanities Hub at University of British Columbia. She is the author of the
                     award-winning monograph <title level="m"><ref target="https://global.oup.com/academic/product/making-noise-making-news-9780190634506">Making Noise, Making News: Suffrage Print Culture and US
                        Modernism</ref></title> (Oxford UP) and of numerous articles about American
                     literature and women writers. She has also edited <ref target="https://www.mqup.ca/becoming-sui-sin-far-products-9780773547223.php"><title level="m">Becoming Sui Sin Far: Early Fiction, Journalism and
                           Travel Writing by Edith Maude Eaton</title></ref> (McGill-Queen’s UP) and
                     published essays on the Eaton sisters in <title level="j">American
                        Quarterly</title>, <title level="j">MELUS</title>, <title level="j">Legacy</title>, <title level="j">Canadian Literature</title>, and <title level="j">American Periodicals</title>. Her current research project is a
                     microhistory of the Eaton family. For more information, see <ref target="http://faculty.arts.ubc.ca/mchapman/">http://faculty.arts.ubc.ca/mchapman/</ref>. </p>
               </note>
            </person></listPerson><listOrg><org xml:id="Farm" resp="people.xml#SB2" copyOf="organizations.xml#Farm">
               <orgName>Farm and Ranch Review</orgName>
               <note><p>Popular and respected Calgary-based monthly periodical focused on Western-Canadian agriculture foundd by Malcolm Geddes, E. L. Richardson, and C. W. Peterson in 1904 and in print from 1905-1966. Tied to the Country Life Movement.</p></note>
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      <pb n="486"/>
      <body>
         <head>Other People’s Troubles</head>
         
         <head type="subtitle">An Antidote for Your Own [Part 5]</head>
         <opener>
            <byline>By <name key="Winnifred Reeve" ref="#WE1">Winnifred Reeve</name> (<name key="Onoto Watanna" ref="#WE1">Onoto
               Watanna</name>)</byline> 
            <note>Author of <q>A Japanese Nightingale</q>, <q>Heart of
               Hyacinth</q>, <q>Wisteria</q>, <q>Marion</q>, <q>Me</q>, <q>Delia</q>, etc., etc.</note></opener>
         
         <div type="paratext">
            <p>Synopsis:— <q>Other People’s Troubles</q> is the new type of a continued story
               wherein each episode is a complete story itself, but the whole is connected through
               the central figure of Dr. Carpenter, a very fine character, who believes that to get
               interested in other people’s troubles is the best cure for your own. Dr. Carpenter
               has his niece, Laura, living with him, and also the servant, Katy. Laura, too, has
               had some trouble, and the doctor is trying his medicine upon her by telling her of
               the great sorrow of Lenox Holt, a lawyer, who has been accused of killing his wife’s
               lover, and, although let free by the court, has the stigma of murder attached to his
               name. To him the doctor is going to entrust Laura’s case. In the last episode, the
               doctor is interviewing patients, including a poor scrubwoman and her sick baby.</p>
         </div>
         <div type="content">
            
         
        <div>
        
            <p><q>Well I simply forbid it</q>.</p>
            <p>She sat back resignedly, looking down at the baby with a wan look of despair.</p>
            <p><q>Then have to stop work</q>.</p>
            <p><q>Only for a week or two</q>.</p>
            <p><q>I’ll lose my place</q>.</p>
            <p><q>Stuff and nonsense. Give me the name of the manager. I’ll call him up
               myself</q>.</p>
            <p><q>You’d be making it harder for me, doctor</q>.</p>
            <p><q>You get good wages?</q></p>
            <p><q>Yes—the best for the work—$30 a month</q>.</p>
            <p><q>And have saved?</q></p>
            <p><q>No, I <choice><sic>could’nt</sic><corr>couldn’t</corr></choice> do that. You see you told me to get all them extra things for the
                  baby, milk and eggs and medi­cine, and they cost a lot in winter. Eggs ain’t for
                  the poor, doctor</q>.</p>
            <p><q>Sixty cents a dozen</q>, growled the doctor, frowning.</p>
            <p><q>I get them for forty, but there’s always one or two of ’em rotten, so it comes to
                  nigh the same thing</q>. She sighed heavily. <q>The poor can’t afford to eat
                  nothing these days, seems like</q>, she said.</p>
            <p><q>The baby looks well nourished, and you should be thankful you can give him the
                  needful food and medicine. Many poor mothers can’t even do that</q>.</p>
            <p><q>I’d like to do more</q>, said she, wistfully, ‘but I’m just losing heart.’ He
               don’t seem to get better somehow. I wished I could afford it to take him to Dr.
               Schwartz.</p>
            <p><q>Dr. Schwartz?</q></p>
            <p><q>Yes, I guess maybe you know of him. He’s the druggist at our street corner, but I
                  guess he comes high, though they say he’s worth it, not but what I’m not thankful
                  to you for doing it for nothing for us, but I wished I could afford Dr.
                  Schwartz</q>. </p>
            <p>Dr. Carpenter’s expression was in­scrutable. He put his finger precisely on the
               electric button on his desk and waited for his niece to answer.</p>
            <p><q>Yes, Uncle Dan?</q></p>
            <p><q>Take Mrs. Daly back to the kitchen. Katy has some biscuits for her, and honey for
                  the baby. And I want the baby put to bed. He’ll spend the night here. And by the
                  way have Katy tell Mr. Daly about Nell O’Grady’s baby</q>.</p>
            <p>He had arisen, and had dismissed the woman with his usual formal professional bow.
               She shuffled wearily along in the wake of Laura.</p>
        </div>
            <div>
            
           <head>IX.</head>
            <p>The doctor was not looking well. His face had a drawn, haggard appear­ance when he
               was not speaking, and once or twice his hand slipped under his vest and seemed to
               fidget about, as though he were pressing upon some spot that pained. Although he
               stiffened up and talked cheerily enough to evil patient in turn, there was something
               constrained about his looks and words.</p>
            <p>One by one they came and went, and it was long past his office hour when the last of
               them finally departed.</p>
            <p>He sat for a time staring vacantly out before him. Then, his hand trem­bling
               slightly, he poured some liquid into a glass of water and drank it down swiftly and
               eagerly. Presently he staggered across to the black leather couch by the window, and
               threw him­self heavily down upon it.</p>
            <p>There Laura found him when she softly opened the door and looked in. She put a pillow
               under his head and carefully tucked a comforter about him. Then she kissed him, with
               a light, birdlike touch on the forehead, and left him to sleep till twilight.</p>
            <p>Fortunately there were no callers during the rest of the afternoon, and the few
               telephone calls were of no conse­quence. But a little before six the first of the
               doctor’s evening patients arrived, and Laura hurried to the door.</p>
            <p>She drew back slightly when she saw the man confronting her, though, in some way, she
               knew at once who he was. Tall and emaciated, his some­what staring eyes shifted about
               evasive­ly. His face had a sallow, unclean look, with its dark half grown beard. He
               looked like some god-forsaken tramp, but without the average tramp’s mark of evil and
               shiftlessness.</p>
            <p>An odd, suffocating feeling for the man had come over the girl. It was like a surge
               of maternity, a brooding reaching out pity, which brought the tears to her dark eyes,
               and kept her there in the doorway, looking at him, tongue-tied.</p>
            <p>His voice was brusque, almost rough, and he did not even look at her.</p>
            <p><q>I wish to see Dr. Carpenter</q>, he said, and then as she neither spoke nor moved,
               he looked up frowningly, and saw her standing there with the tears glistening in her
               eyes, and the look of dawning motherhood like a beatitude on her face. He drew back a
               step, the frown flickering uneasily away. His gaze shifted from the girl’s face, only
               to come back there abruptly.</p>
            <p>She said, with a catch in her voice:</p>
            <p><q>Oh——I am so-sorry for y——</q></p>
          
            <p>She stopped, a look of horror coming to her face, as though she had inad­vertently
               allowed forbidden words to escape her. Suddenly she was the calm self-composed Laura
               again.</p>
            <p><q>I am sorry</q>, she said slowly, <q>that the doctor is asleep</q>.</p>
            <p><q>Very well</q>, said the man surlily, and he turned abruptly upon his heel.</p>
            <p><q>Please wait a minute</q>, she urged, <q>for he is expecting you to-night. Won’t
                  you wait, please?</q></p>
            <p>He wheeled about quickly.</p>
            <p><q>How do you know who I am?</q> he demanded suspiciously.</p>
            <p><q>Wh-why, my uncle told me</q>, she faltered.</p>
            <p><q>Told you what?</q></p>
            <p><q>That you were to come to-night</q>. </p>
            <p><q>So you know me by sight, do you?</q>
            </p>
            <p><q>No—I never saw you before</q>. </p>
            <p><q>Except in print</q>, he sneered bitterly.</p>
            <p>Laura shook her head.</p>
            <p><q>Indeed I have not</q>, she said, <q>I only know that my Uncle Dan is expecting—Mr.
                  Holt—at this hour</q>.</p>
            <p>She felt him studying her face keenly.</p>
            <p><q>Very well, I’ll wait then</q>, he said, gruffly, and he strode past her and into
               the front room, closing the door behind him.</p>
            <p>Out in the hall, she was seized with a sudden emotion, and stood leaning against the
               wall a moment, her eyes closed, her breath coming swiftly.</p>
            <p><q>The poor man!</q> she whispered. <q>The poor man!</q></p>
         </div>
         <div>
            <head>X.</head>
            <p>Holt moved restlessly about the doctor’s reception room. For a time he stared out of
               the window, his fingers picking nervously at the window sash. Outside a drizzly rain
               was falling and the snowfall of a previous day was rapidly melting into dirty slush
               and moved along the asphalt with the wind.</p>
            <p>Something in the dull steady dripping of the rain set the <choice><sic>mans’s</sic><corr>man’s</corr></choice> shattered nerves
               ajar. He pulled the shade down abruptly. Then he turned on the light in the room,
               picked up a magazine and threw it down again on the table. Nervously he paced up and
               down, and presently stopped before the portieres of the alcove, and drew them back
               with an impulsive sweep. At the same moment, the doctor on the couch turned about,
               —he murmured and sighed heavily.</p>
            <p>A curious change came into the face of Holt, as he looked at the doctor lying there
               inert and unconscious. A look that was strangely gentle and tender, that in a moment
               robbed the eyes of their wildness, the mouth of its bitterness, illuminated the man’s
               face. It came over him suddenly that here was the only person in his bleak life who
               cared what became of him, the only person whom he himself had come to love. Emotion,
               such as this, was so new and strange for him in these days, that his hands clinched
               and unclinched spasmodically.</p>
            <p>The doctor opened his eyes and looked up at him blankly.</p>
            <p><q>You are ill!</q> said Holt, huskily.</p>
            <p>The doctor blinked. Then he felt feebly about for his glasses and found them dangling
               by their string. He was sitting up now, and adjusting them securely on his nose.
               Suddenly he seemed to shake himself, threw out his chest and came to his feet
               sturdily.</p>
            <p><q>Stuff and nonsense ! Never felt better in my life. Er-hum! Er-hum! Now, let me
                  see——</q>.</p>
            <p>He was at his desk now, his fingers still tremulous he was steadying by bringing the
               tips together in his charac­teristic way.</p>
            <p><q>Holt, you’re the very man I wanted to see. Er-hum! It was good of you to come out
                  on a night like this. Very good of you indeed, but you won’t regret it. Have a
                  seat, won’t you?</q></p>
            <p>Holt seated himself a trifle uncer­tainly. He was very pale, and kept a wary eye on
               the doctor’s face, as if he still doubted the doctor’s words that all was well with
               him. Indeed the doctor seemed quite his old self now, and beyond a slight twitching
               at the corner of his lips, there was no sign to indicate that he was otherwise than
               as usual.</p>
            <p><q>You know</q>, said the doctor, warming to his subject, <q>that I have always
               advocated and prescribed for you the getting back into professional harness. I’ve
               wanted you to renew your law practice, and now—now I have brought you a client!</q></p>
            <p>Holt sat up abruptly. He was scowling angrily and a sneer curled its way across his
               lips.</p>
            <p><q>Very kind of you, I’m sure, Dr. Carpenter, but unfortunately, I’m otherwise
                  engaged at present. As I’ve told you before I’m out of that—per­manently</q>.</p>
            <p><q>Stuff and nonsense! You’re only just beginning again. Now, Holt, stay where you
                  are. There’s no use rushing off in a huff. Here’s your old doctor friend in a
                  pickle and nobody but you can help him out</q>.</p>
            <p><q>You? Some affair of your own?</q>
            </p>
            <p><q>A family affair—yes</q>.</p>
            <p>The other was silent a moment, and when he did speak it was in an un­willing, surly
               tone.</p>
            <p><q>Of course—that makes a difference, and give you what advice I can, but—well, the
                  truth is, I simply will not appear in the Courts again as a lawyer—even for
                  you</q>.</p>
            <p><q>Well, we’ll try and get along with the advice then for the present</q>, said the
               doctor cheerily. <q>Now, it’s a very delicate case. Er-hum! My niece, Miss Laura
                  Laurence, wishes to sue one Weston Chambers for breach of promise</q>.</p>
            <p>Holt drew back as if the doctor had struck him.</p>
            <p><q>You expect me to—interest myself in a case like—that!</q></p>
            <p><q>Like what?</q></p>
            <p><q>Per! The very notion disgusts—is preposterous!</q></p>
            <p><q>No, it isn’t</q>, said the doctor, gently, <q>not if you knew the circum­stances,
               and if you’ll keep your seat and patience long enough, to let roe tell you the
               details of the case it may be you will reverse your own judgment</q>.<note type="editorial" resp="#SC1">No end quotation mark in original.</note></p>
      </div>
         <div>
         <p>(To be continued)</p>
      </div>
         </div>
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