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            <title>Canadian Authors [Carman]</title>
            <respStmt>
               <resp>Transcriber</resp>
               <name ref="#SH1">Mary Chapman</name>
            </respStmt>
            <respStmt>
               <resp>Proofreader</resp>
               <name ref="#LW1">Leean Wu</name>
            </respStmt>
         </titleStmt>
         <publicationStmt>
            <p>See the <ref target="legal.xml">legal</ref> page for information about republication. The recommended citation for this document can be found below (in the standalone XML version).</p>
         <ab type="citations"><listBibl><bibl type="mla" n="MLA" xml:id="CanadianAuthorsCarman1_citation_MLA"><author><name ref="people.xml#WE1">Eaton Reeve,
                     Winnifred</name></author>. <title level="a">Canadian Authors</title>.
                     <publisher ref="organizations.xml#Albertan"><title level="j">Morning
                     Albertan</title></publisher>, <date when="1924-02-13">13 Feb 1924</date>, p.
                     <biblScope unit="page">4</biblScope>. <title level="m">The Winnifred Eaton Archive</title>, edited by <editor>Mary Chapman</editor> and <editor>Jean Lee Cole</editor>, <edition n="2.0">v. 2.0</edition>, <date when="2024-02-03">03 February 2024</date>, <ref target="https://winnifredeatonarchive.org/CanadianAuthorsCarman1.html">https://winnifredeatonarchive.org/CanadianAuthorsCarman1.html</ref>.</bibl></listBibl></ab></publicationStmt>
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            <msDesc><msIdentifier><repository>Winnifred Eaton Archive</repository><idno>CanadianAuthorsCarman1</idno></msIdentifier>
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                     <bibl xml:id="bibl295"><author><name ref="#WE1">Eaton Reeve,
                     Winnifred</name></author>. <title level="a">Canadian Authors</title>.
                     <publisher ref="#Albertan"><title level="j">Morning
                     Albertan</title></publisher>, <date when="1924-02-13">13 Feb 1924</date>, p.
                     <biblScope unit="page">4</biblScope>.</bibl>
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                        <p>Facsimile retrieved from the University of Calgary archives</p>
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      <encodingDesc><p>See <ref target="editorial_principles.xml">Editorial Principles</ref>.</p></encodingDesc><revisionDesc status="published">
         <change who="#JT1" when="2023-11-23" status="published">Added citation from bibliography.xml to <gi>sourceDesc</gi> using utilities/msdesc.xsl.</change>
         <change who="#LW1" when="2022-05-07" status="published">Proof completed. Added person
            references for Bliss Carman and Douglas Durkin. Set status to published.</change>
         <change who="#SL1" when="2022-05-06" status="readyForProof">Updated status.</change>
         <change who="#MC1" when="2020-10-13" status="inProgress">added Shaun
            transcription.</change>
         <change who="#JT1" when="2020-08-24" status="empty">Created shell from bibl
            file.</change>
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               <persName>
                  <reg>Shaun Hunter</reg>
                  <forename>Shaun</forename>
                  <surname>Hunter</surname>
               </persName>
               <note><p> Shaun Hunter is the author of <title level="m">Calgary through the Eyes of
                        Writers</title> (Rocky Mountain Books, 2018) and consultant for an
                     exhibition of the same name, featuring Winnifred Eaton, at the Lougheed House
                     in Calgary. She is a collaborator on <title level="m">The Winnifred Eaton
                        Archive</title></p></note>
            </person><person xml:id="LW1" copyOf="people.xml#LW1">
                  <persName>
                     <reg>Leean Wu</reg>
                     <forename>Leean</forename>
                     <surname>Wu</surname>
                  </persName>
                  <note><p>Leean is an Honours English language and literature student at the
                     University of British Columbia and a research assistant for <title level="m">The Winnifred Eaton Archive</title>. She was an undergraduate teaching assistant
                     for the UBC Coordinated Arts Program for two years and a research assistant for the UBC Public Humanities Hub.</p></note>
               </person><person xml:id="WE1" copyOf="people.xml#WE1">
               <persName>
                  <reg>Winnifred Eaton</reg>
                  <forename>Winnifred</forename>
                  <surname>Eaton</surname>
               </persName>
               <birth when="1875-08-21"/>
               <death when="1954-04-08"/>
               <note>
                  <p>See the <ref target="timeline.xml">Biographical Timeline</ref> for biographical
                     information on Winnifred Eaton.</p>
               </note>
            </person><person xml:id="JT1" copyOf="people.xml#JT1">
               <persName>
                  <reg>Joey Takeda</reg>
                  <forename>Joey</forename>
                  <surname>Takeda</surname>
               </persName>
               <note>
                  <p>Joey Takeda is the Technical Director of <title level="m">The Winnifred Eaton
                        Archive</title> and a Developer at Simon Fraser University’s <ref target="https://dhil.lib.sfu.ca">Digital Humanities Innovation Lab</ref>
                     (DHIL). He is a graduate of the M.A. program in English at the University of
                     British Columbia where he specialized in Indigenous and diasporic literature,
                     science and technology studies, and the digital humanities.</p>
               </note>
            </person><person xml:id="SL1" copyOf="people.xml#SL1">
               <persName>
                  <reg>Sydney Lines</reg>
                  <forename>Sydney</forename>
                  <surname>Lines</surname>
               </persName>
               <note><p>Sydney Lines is a Ph.D. candidate in English at the University of British
                     Columbia and Project Manager of <title level="m">The Winnifred
                        Eaton Archive</title>. She is writing a dissertation on Winnifred Eaton
                        and Laura Goodman Salverson.</p></note>
            </person><person xml:id="MC1" copyOf="people.xml#MC1">
               <persName>
                  <reg>Mary Chapman</reg>
                  <forename>Mary</forename>
                  <surname>Chapman</surname>
               </persName>
               <note>
                  <p>Mary Chapman is the Director of <title level="m">The Winnifred Eaton
                        Archive</title>, a Professor of English, and Academic Director of the Public
                     Humanities Hub at University of British Columbia. She is the author of the
                     award-winning monograph <title level="m"><ref target="https://global.oup.com/academic/product/making-noise-making-news-9780190634506">Making Noise, Making News: Suffrage Print Culture and US
                        Modernism</ref></title> (Oxford UP) and of numerous articles about American
                     literature and women writers. She has also edited <ref target="https://www.mqup.ca/becoming-sui-sin-far-products-9780773547223.php"><title level="m">Becoming Sui Sin Far: Early Fiction, Journalism and
                           Travel Writing by Edith Maude Eaton</title></ref> (McGill-Queen’s UP) and
                     published essays on the Eaton sisters in <title level="j">American
                        Quarterly</title>, <title level="j">MELUS</title>, <title level="j">Legacy</title>, <title level="j">Canadian Literature</title>, and <title level="j">American Periodicals</title>. Her current research project is a
                     microhistory of the Eaton family. For more information, see <ref target="http://faculty.arts.ubc.ca/mchapman/">http://faculty.arts.ubc.ca/mchapman/</ref>. </p>
               </note>
            </person><person xml:id="BC2" copyOf="people.xml#BC2">
               <persName>
                  <reg>Bliss Carman</reg>
                  <forename>Bliss</forename>
                  <surname>Carman</surname>
               </persName>
               <note><p>Canadian poet.</p></note>
            </person><person xml:id="DD1" copyOf="people.xml#DD1">
               <persName>
                  <reg>Douglas Durkin</reg>
                  <forename>Douglas</forename>
                  <surname>Durkin</surname>
               </persName>
               <note><p>Canadian novelist.</p></note>
            </person></listPerson><listOrg><org xml:id="Albertan" resp="people.xml#SB2 people.xml#JT1 people.xml#MC1" copyOf="organizations.xml#Albertan">
               <orgName>Albertan</orgName>
               <note><p>Also known as the <title level="j">Calgary Albertan</title>. First established as 
                  the <title level="j">Calgary Tribune</title> in 1886. Would be called variations of the 
                  <title level="j">Albertan</title> from 1899 until 1980. Had a variety of names until the 
                  newspaper was sold to the Toronto Sun Publishing Corporation and renamed the 
                  <title level="j">Calgary Sun</title> in 1980.</p></note>
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      <body>
         <head>Canadian Authors</head>
         <opener>
            <byline>(By <name key="Winnifred Eaton Reeve" ref="#WE1">Winnifred Eaton Reeve</name>)</byline>
         </opener>
         <p><title level="m">The Morning Albertan</title>, February 13, 1924</p>


         <p>Calgary has reason to be proud of the fact that the most successful of any of the <name ref="#BC2">Bliss Carman</name> recitals in the western cities was the one on
            Friday evening in the Central Methodist church. About 1,500 people packed the church,
            and gave not only a splendid ovation to the Canadian poet, but followed his reading with
            the most rapt and delighted interest.</p>
         <p>Before leaving the city <name ref="#BC2">Mr. Carman</name> expressed his
            appreciation and gratitude for the fine reception accorded him in Calgary. He stated
            that it marked the peak of his tour, and that he was unlikely to forget the sunny city
            of the foothills. The poet will spend a couple of days in Banff before returning to
            Vancouver.</p>
         <p><name ref="#DD1">Douglas Durkin</name> is the author of a new Canadian novel
            entitled <title level="m">The Magpie</title>, which is causing heated discussion,
            especially in the city of Winnipeg. This despite the fact that the book has been banned
            by some of the critics of that city, who refuse to review it on the ground that it may
            hurt the sensibilities and feelings of Winnipeggers. Under the circumstances we propose
            to read and fully review said <title level="m">The Magpie.</title></p>
         <p>Too many books are ignored or banned because of prejudice, while others are
               <q>boosted</q> and fulsomely praised out of all proportion to their merits. Not
            always are the methods employed for <q>boosting</q> a book ethical or legitimate. We
            know of a case where a certain new writer entered into an agreement with a critic to act
            as her agent. He revised her script, sold it to the publishers, and then proceeded to
            write most of her reviews and to influence other reviewers. One of these reviews, in
            fact, appeared in the <title level="m">Literary Digest</title>,
            <title level="m">International Book Review</title>, and as many critics are like the
            proverbial sheep, it was inevitable that a number of them fell into line and followed
            the lead of the man who was proclaiming his <q>discovery</q> as a work of genius, and
            for which he was receiving a slice of the author’s royalties.</p>
         <p>This is not legitimate criticism. It is just as if an author were to write his own
            criticisms and reviews. It is not fair to other authors, who must send out their work
            and have it judged through the usual channels. From a financial viewpoint, of course, it
            may prove remunerative to the author who is not possessed with a fine sense of literary
            honor, unless, of course, discovery results, when an exposure and scandal are sure to
            follow.</p>

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